Scenes

I spent yesterday afternoon listing scenes for HM then arranging and rearranging. It looks like it won't be as spare as I feared for a while. I have a lot going on Sloan and Shannon and a few things with Caleb and Jenny. Instead of introducing a suspect and then dismissing him or her and introducing the next, I have them all jumbled up now.

Overall a productive weekend without gaining any wordcount. I can live with that. For now.

Pulling A Fonzie

I'm about halfway through reading Murder at the Vicarage by Agatha Christie. It's the first of the Miss Marple books, and I'm wondering if Dame Agatha had planned to start a series when she wrote it. My guess is no.

The book is written in first person from the perspective of the vicar. Miss Marple is, at this point anyway, a secondary or even tertiary character. She's the old busybody who lives next door to the vicarage. One of many old busybodies in the village. But she is more fully fleshed than any of the other characters. Was this on purpose? Or did Christie just fall in love with the character and give her more attention than the protagonist? Was the format a purposeful device to introduce Miss Marple?

I know there are biographies of Agatha Christie. I don't know whether any of them go into these issues. Would anyone other than a writer care? But I'm smelling more research in my future. Of course the big question is, does this impact what I'm doing with my own mysteries?

Possibly. What if in HM, Caleb becomes the stronger character? Pulls a Fonzie, so to speak. Is this something to protect against in the writing by making sure Sloan is the more interesting of the two? Do I slight Caleb in order to elevate Sloan? Would it really matter?

I think I need to trust my gut and just write it. There should be room for two, or more, strong characters.